BK's tracks are irresistible to both clubbers and critics, but the true measure of his talent can be seen in the number of fellow producers and DJs who clamour for a slice of BK's skills. The admiration of his peers is typified by such comments as, “If one man has single-handedly shaped what our world is dancing to, then it's he.” (Mixmag, June 2002) This feeling is evident in the tracks found on BK's 2003 solo album, Klub Kollaborations, which represent cooperative projects with eleven of the world's top producers, including Andy Farley, Lab4, Christopher Lawrence, Paul Glazby, and Rob Tissera. In 1999, BK enlarged his creative scope to include the DJ circuit, proving that his talents are not restricted to the studio alone. By 2000, BK was already playing clubs around the world, headlining and appearing at all of the biggest dance events, including Dance Valley (100,000 people), Global Gathering UK, Gatecrasher Summer Sound System UK, Impulse NL, Frantic HardHouse Academy UK, Creamfields UK, Godskitchen NEC UK, Judgement Sunday Ibiza, Lashed in Ibiza, Gallery UK, Slinky UK, and Code Japan. He currently calls three of the most forward-thinking UK hard dance events home, holding residencies at Frantic's Convergence, Nukleuz's Riot!, and Kinky's Trade. Much of his success is due to the same experimental approach that he utilizes in the studio. “As a DJ, I've been looking at other genres, and I've found that kind of music is something I like and that I like to play, and no one's complained!” In an extremely short period of time, BK has become recognized as not only a genre-defining producer, but also an influential DJ in the hard dance scene. His prodigious talents have created a new direction for the future of hard house, but BK is not ready to stop yet. “I've made every sort of music in the past, even stuff for television commercials. I've mic'd up a 60-piece orchestra at Abbey Road… And now I want to start bringing that into the kind of tracks I do now. Do that, but make it danceable and club-friendly—find a new sound for myself.”